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This exhibition addresses Neoism’s post-avant-garde transaesthetic/transpolitical playing out of the integration/suppression of art and life, the non-linearity of the new international, and (anticipatory) plagiarism/exappropriation (of the post-Future/beyond the Future), and it is one that will feature any/all mediums such as assorted post-conceptual mixed media/combines/sculptural/installation/multimedia works including some paintings/drawings, videos/films, sound/light sculptures, textiles, print/graffiti and conceptual/digital/AI works; accepted on an open/non-selective conditions offered to various contributors to Neoism and related groups throughout the years as a game and collaborative, conceptual exhibition which investigated the curatorial process and museumification.
All content will be of indeterminate figural/abstract and conceptual intertextual references and many works for this exhibition are completed but some may be exhibition and site specific. There will be approximately 40 contributors with 40-120 works submitted. The contributors/artists have additional pieces if more are needed and are willing to edit if less is required. The size range of the works vary, an example painting is for instance 24x33cm.
In addition to an contributor/“artist” talk/performance, the contributors/artists would be very interested to contribute other programming such as conceptual/multimedia performance events, media/publicity events/interventions, off-site works/texts [dérives] and in which the works in the gallery are possibly changed or altered by inviting the attendees to engage with the environment as a game, with the viewer/post-spectator/supplemental operators seduced into (non-)participation (by possibly adding to or transforming the works or by moving parts/pieces around the space) thereby exploring the contextual relationship between audience and work.
The post-avant-garde non-art/anti-art (non-)movement/(non-)concept of Neoism and its linkages to the postmodern end/crises of metanarratives like art/truth/knowledge and the death of art/dematerialization of the art object. Neoism with its transmedial institutional/technological interventions and transdisciplinary extending/exceeding beyond the future of theory and practice permeates this post-ideological/post-movement condition/game. It is one that further deconstructs the modernist distinction between art and life/politics and the postmodern implosion/recycling of it. The contributors/artists in this exhibition address these problematics and do so in a way that explores their questioning of representation/reference/identity via the play of the unrepresentable.
Neoism and the various avant-garde/underground groups related/adjacent/coinciding with it, since approximately 1979, have assaulted culture/the media and have attempted to abolish art, politics and society. The contributors/groups involved including The Neoism Network, PRAXIS, the Rivington School, … In Ruins, Art Strike, The Neoist Alliance, Luther Blissett Project and #TheGame23 span over the past 45 years of Neoism’s post-Situationist/post-Fluxus/post-punk contemporary post-avant-garde/post-underground anti-art/non-art experimentation.
Parody and experimentation with the structures of transdisciplinary/transmedial theory and practice, with the abolition of the role of artist as specialist/non-specialist, are also of strategic import to all of these contributors/artists who then challenge themselves in the explorations/transgressions of their various media to translate this virtually/performatively.
The installation of this exhibition is an dissemblage/assemblage/installation, and (out-)work, (including catalog and promotional material) unto itself and would involve acrylic pedestals and acrylic floating walls/panels, site-specific materials on the floor (dirt), TVs/monitors/speakers, custom light installations and the works will be arranged so that some are hung, un-hung, and overhung. Thereby treating the gallery space as an indeterminately shifting transformative (non-)space/(non-)site where all elements are in a constant flux of re-juxtaposition/re-contextualisation.